Watch the film before reading
this if you care about spoilers.
So it turns out if you go to a premiere there are no adverts
before the film. If you take nothing else away from this post at least you have
that useful knowledge. Therefore, if you have serious disagreement with
anything you read here it’s because I missed the first four minutes of the film
which would have changed my opinion to align with yours if I’d seen them.
Let’s get it out of the way then; Spectre is a good film
and, more importantly, it is a good Bond film. I feel this
distinction needs to be made for a few franchises. For instance, Iron Man 2 is
not a good film but it is a good Avengers film. Spectre lays to rest a question
that has been hanging over the reboot; are they just rolling the dice and
having on/off luck or does someone really know what they are doing behind it
all? With Spectre in the mix we’re up to 75% good films.
Now admittedly, everyone has their own opinion of what makes
a good Bond film and it boils down to what is the essence of Bond for them. In broad terms I find
the division to be along the lines of:
Gadgets: Sci-fi and Deus ex Machina vs Minimal and practical
Cheesy one-liners: Prolific and not funny vs Occasional, mild
and self-aware
Extravagant villain: Lives in a volcano/space or has a
diamond face vs mildly psychotic with additional flair
(I fear my bias may have slipped in there)
Spectre for me plays the lines nicely. His watch is a gadget
but it doesn’t have a laser or a grappling hook; it’s a bomb. The dialogue is
genuinely funny (Bond interrogating the rat) and the plot is straightforward (depending on how deeply you look at the cuckoo thing).
The villain is odd and pays tasteful homage to the canon (actually maybe the
cat was too much). The pacing was also spot-on and does not make the film’s length
felt. Although the action may not have been jaw-dropping or even scored by
the classic Bond fanfare it felt grounded and real which added tension and
grit. Perhaps the highlight of this is the henchman fight on the train. Mr Hinx
dominates and throws 007 around with ease. His raw strength and power poses a genuine
threat to an aging Bond and it is only with Madeline’s intervention that James
escapes.
Of course I do have some minor observations. As I mentioned
in my first post about Spectre (
http://oldsirnorris.blogspot.co.uk/2015/07/inspectre-gadget-lets-hope-not.html)
any attempts to retro-actively crowbar in an overarching puppeteer organisation
is going to go poorly. The three films are self-encompassing and standalone
albeit with carry overs (e.g. Vespyr). There is no suggestion of an
as-wide a picture as Spectre suggests in any of them which makes Blofeld’s revelation
somewhat difficult to swallow. What’s more the only justification for this is a
gallery of pictures of characters in the basement of MI6. It does not detract
from the overall experience but in age where post-credit scene Marvel films are
an accepted method for linking films together it seems just a bit more
fore-planning and effort could have made the overall package that more
rewarding.
Bond’s torture by Blofeld is sickeningly visceral. One poor
lady left the auditorium in our viewing. If you felt uncomfortable watching
Bond’s Double Ohs getting smashed at the end of Casino Royale then this will likely
make you writhe in your seat like I did. However, I’m fairly sure Blofeld
mentions the operation would affect James’ vision, hearing and balance and yet
during the escape Bond displays superb marksmanship and coordination. Again,
the second intrusion into Bond’s skull should have influenced his recognition
skills as planned but it just… doesn’t… without any real explanation as to why.
Well… they DO “explain” it which brings me to:
Piss-poor romance. Bond gets the girl. We all know that. It’s
a staple of the franchise that 007 beds at least a handful of women per film. Must
we suffer through a LOVE story though? She LOVES him. Really? I know the screen
writers need to be mindful of an “out” for Craig’s Bond but the rapid change in
Swan’s attachment to James is difficult to contend with.
Some other tertiary thoughts to wrap up on:
·
I loved seeing M doing spymastery spy things. It
refreshes the character following Judy Dench's departure.
·
“It’s like poetry; they rhyme”: from hollowed
crater vs hollowed volcano to M sitting in the dark office v 007 sitting in the
dark office there is a lot of self-referencing in this film and if there’s one
thing I love it’s a good reference.
·
We’ve “killed” the henchman (Quotation marks
because he didn’t die ON SCREEN so…) “What should we do now?”… sex? My eyes
almost rolled out of their sockets.
Thanks for reading.
-Norris